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Where would Hollywood be without that old standby, the vampire-werewolf-schoolgirl love triangle?
Nicolas Cage figures he owes no apologies when critics gripe about all the Hollywood action flicks he's done.
It's the end of the world as we know it, and Hollywood feels fine.
No movie can be all bad when juiced up with a soundtrack of more than 50 classic rock tunes.
Roger Corman, memorably dubbed "the Orson Welles of the Z-Movie" and "the Pope of Pop Cinema," never expected the words "Academy Award recipient" would accompany his name.
It may not merit the adjective in its title, yet the animated yarn "Fantastic Mr. Fox" offers some of the most goofy fun you'll have at a theater this season.
A fun tone is undermined by disjointed storytelling in George Clooney's "The Men Who Stare at Goats," and it all starts with the disclaimer that opens the movie: "More of this is true than what you might imagine."
Technology finally has caught up with Charles Dickens' imagination.
As Hollywood closed specialty divisions that aimed for quality and personal stories, as studios focus more and more on superhero sagas and action blockbusters, cinema fans have rightly wondered, who's left to make great American movies?
Hollywood loves money. So does Ebenezer Scrooge. So what better way to launch the holiday season than putting the old money-grubber at the head of the line to separate movie-goers from their cash?
Low-rental 1980s horror returns with filmmaker Ti West's "The House of the Devil," which scores points for restraint and attention to detail but defaults when the mortgage comes due with a bloody, pointless, uninspired climax.
The 50 comeback concerts Michael Jackson planned in London last summer sold out in a few hours.
Considering the risks Amelia Earhart took, losing her life in the call of aviation, Hilary Swank and director Mira Nair don't put much on the line in their film biography "Amelia."
Vampires have been an eternal force in Hollywood horror since silent-movie days, yet they have risen to new heights as the "Twilight" franchise, TV's "True Blood" and other incarnations put the bite on viewers.
"Paranormal Activity" has won a weekend battle of fright films over part six of the "Saw" franchise.
Spike Jonze recalls how Maurice Sendak urged him to make the movie version of "Where the Wild Things Are" as dangerous as the book was when the children's classic came out in 1963.
Michael Sheen never felt he was playing second fiddle as British leader Tony Blair or TV interviewer David Frost.
Roman Polanski's arrest in Switzerland has left his latest film in limbo, with several months of work before the political thriller is ready for theaters.
Roman Polanski has lived through a striking collection of bizarre, triumphant and tragic events, his calamity rivaling some of the darkest horrors he has depicted on screen.
Drew Barrymore chose a real balancing act for her directing debut. She does it on wheels, directing and acting alongside "Juno" co-star Ellen Page in "Whip It," a rowdy tale of roller-derby women.
Michael Moore says he made his latest documentary, "Capitalism: A Love Story," as though it were his last. And it might be.
Liam Neeson's colleagues on the sexual thriller "Chloe" reiterated their condolences over the death of his wife and gratitude for his quick return to finish the film.
Matt Damon was thrilled when Steven Soderbergh called eight years ago asking him to play a tubby oddball with a self-destructive talent for spinning colossal lies.
Isabella Rossellini has established herself as the world's most prominent porn artist specializing in the lusty behavior of bugs, barnacles, shrimp and starfish.
The cinema smorgasbord of the Toronto International Film Festival has something for all tastes, a place where zombies, demons and vampires share screen time with art films, Hollywood awards contenders and studio crowd-pleasers.
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